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Modern horror media is always a revelation about the world that produced it, but few of our contemporary myths feel as precisely calibrated to the present moment as the Backrooms. The Backrooms are not a haunted house, nor an abandoned ruin, a cursed forest, or any of the traditional thresholds through which the uncanny once entered human life. Instead, they are a vision of horror stripped of enchantment: an endless, fluorescent purgatory assembled from the leftover materials of capitalism. In the Backrooms, the mystery is not supernatural but infrastructural: a place where the hidden architecture of modern life, from its storage spaces to its industrial offices, swallows the individual whole. It is a nightmare born from the aesthetics of contemporary capitalism’s logistics, a world in which even our terrors have been flattened into endlessly repeatable, industrial modularity.

Democratic pastors and seminarians are linking their Christianity with their politics on the campaign trail.

For weeks and weeks, I was refusing to take the bait, but per a new NYT report, it would seem the rumors are true.

Pete Crow-Armstrong is one of the most dynamic, undeniably talented players in baseball today. He also has a gift for absurd situations.

Un nuevo estudio rastrea cómo las ranas jóvenes equilibran la energía entre crecer y combatir infecciones.

Democratic socialists just doubled their numbers in Congress.

For AI to truly revolutionize science, it needs a form of creativity it currently doesn’t possess.